Sup ya'll.
The newest podcast has hit the shelves... this time is Jason Short's pimpin Live PA @ Killswitch on 5/1/09. I have a feeling that this one will be on your rotation for a minute or two.

Check, Listen, Subscribe:
http://www.killswitchsf.com/?feed=podcast

You can also find it & subscribe to it through itunes by searching the itunes podcast directory for "Killswitch SF".

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About Jason Short:

Behind the gear shifts and subtle machinations of Auralism, you'll find longtime producer and DJ Jason Short. Whether bumping one of his famed extended after-hours solo sets, collaborating as one-half of Coalition of the Killing, or promoting new talent as Auralism's label manager, Short is fast becoming one of the major players behind San Francisco's rise as the new techno capital of the US. Growing up in his stepdad's music studio as a kid with a tendency towards pushing strange buttons, he became hooked on acid house and trance in 1997 when he broke into the Bay Area's notorious underground rave scene.

After moving to Florida in 1999, Short commandeered his first turntables and sampler, releasing jumpstarted tech-house—both solo as his alter-ego Sattva, and in conjunction with fellow producers Chris Havens and Marc Smith as Biogenesis—on labels Xplosion and Nepol. As a professional recording engineer, he has poked his fingers all over the musical map, serving for years as a consultant in studios throughout the country, rigging lighting and live sound for punk-rock gigs, and even producing an entire unreleased hip-hop album during a year-long stint in Chicago.
Now, however, he is committed to only one thing: creating an emotional, immersive sound that's completely his. Unfolding in unexpected ways, Short's time-stretching minimal-techno excursions creep into the psych from behind, whispering creaking, clattering tales that weave their way from the sweat-slicked warehouse to the twilit after-party to the inner sanctums beyond. "You know that sensation when a really powerful track comes on and everyone in the room seems to morph and float?" asks Short. "That's what I am going for! The goal is to create music that is meant to be heard and played, not just thought about."